An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
“you just have to let the soft animal of your body love what it loves”
and also
“don’t love your life too much”
Mary Oliver, excerpts from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
you just have to let the soft animal of your body love what it loves
and also
don’t love your life too much
Mary Oliver, from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
you just have to let the soft animal of your body love what it loves
and also
don’t love your life too much
Mary Oliver, from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
you just have to let the soft animal of your body love what it loves
and also
don’t love your life too much
Mary Oliver, from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
you just have to let the soft animal of your body love what it loves
and also
don’t love your life too much
Mary Oliver, from Wild Geese and One or Two Things, 1986
An Incredibly Small Space to Pass Through:
On Metaphor, Relation, and the Resonant Murk
you just have to let the soft animal of your body love what it loves
and also
don’t love your life too much
Mary Oliver, from Wild Geese and One or Two Things, 1986
EVERYTHING WE KNEW ABOUT IT (2017)
Social engagement; Collaborate zine
New York Hall of Science. Queens, New York
Visitors told me everything they knew about about a given subject (here, rats) telling me stories, drawing me pictures and diagrams, translating important vocabulary, and offering valuable speculation. Findings were collected into this small publication, produced on the office photocopier.
An exploration of the role of science, lateral knowledge building, and the question of what makes for a productive discourse, visitors helped me compile findings concerning our collective understanding of the rat as metaphor, interloper, and communal experience.
THE LONG AND THE SHORT OF IT (2017)
Social engagement; Collaborate zine
New York Hall of Science. Queens, New York
A series of collaborative drawings made with visitors of all sizes at the New York Hall of Science. Drawings were made collaboratively between strangers who had to work together, some drawing from a high bridge, and others from the ground. Drawings were displayed throughout the space and continually added to.
